- Messages
- 5,447
- OOC First Name
- Rowan
- Blood Status
- Muggleborn
- Relationship Status
- Married
- Sexual Orientation
- Amber) (Pansexual
- Wand
- Knotted 12 Inch Flexible Pine Wand with Fwooper Feather Core and 6'5" Sturdy Carved Walnut Staff With Phoenix Tail Feather Core
- Age
- 3/2030 (32)
Ainsley kept her arm linked with Amber's on the way down from the owlery, trying to remember the way back to their floor so she wouldn't get lost sending letters in future. As honestly delightful as she found the twisting, changing structure of the castle, it could hardly be called practical when you had somewhere important to be in a hurry.
Ainsley had spent all of her travelling time since arriving so focused on getting to where she was trying to go that she hadn't really paid much attention to the paintings, but as she and Amber walked together, Ainsley started to actually pay attention to them, eyes boggling at the moving, talking magical works of art. They were wonderful, and Ainsley itched with curiosity, the fact that they had a destination in mind the only thing keeping her from stopping every few minutes to ask the paintings questions.
That didn't mean she had nobody to ask though, and Ainsley finally became conscious of Amber again as they drew near the library, remembering that her new friend (FRIEND!) had said she could ask questions if she wanted to. "So... how do the paintings move and talk? Do they stay still while they're being painted or do painters have to paint something that moves? How does the painting know who it is? Is there a spell they cast to make the paintings talk and move or do they just do that because they're magical? Is it magical paint? Or magical paper? If someone just painted a stick figure would it still move and talk? What if you paint a real person, can they control the painting? If you hurt the person, does the painting get damaged? Or the other way around? What if there are two paintings of the same person? Could they talk to each other?" As soon as Ainsley started she couldn't stop, more questions springing to mind every moment.
Ainsley had spent all of her travelling time since arriving so focused on getting to where she was trying to go that she hadn't really paid much attention to the paintings, but as she and Amber walked together, Ainsley started to actually pay attention to them, eyes boggling at the moving, talking magical works of art. They were wonderful, and Ainsley itched with curiosity, the fact that they had a destination in mind the only thing keeping her from stopping every few minutes to ask the paintings questions.
That didn't mean she had nobody to ask though, and Ainsley finally became conscious of Amber again as they drew near the library, remembering that her new friend (FRIEND!) had said she could ask questions if she wanted to. "So... how do the paintings move and talk? Do they stay still while they're being painted or do painters have to paint something that moves? How does the painting know who it is? Is there a spell they cast to make the paintings talk and move or do they just do that because they're magical? Is it magical paint? Or magical paper? If someone just painted a stick figure would it still move and talk? What if you paint a real person, can they control the painting? If you hurt the person, does the painting get damaged? Or the other way around? What if there are two paintings of the same person? Could they talk to each other?" As soon as Ainsley started she couldn't stop, more questions springing to mind every moment.